Josephine was an artist. In Paris she was a friend of a very fashionable dressmaker and decorator, master of modern elegance. Sometimes she designed dresses for him, and sometimes she accepted from him a commission to decorate a room. Usually at her last sou, it gave her pleasure to dispose of costly and exquisite things for other people, and then be rid of them.

This evening her dress was a simple, but a marvellously poised thing of black and silver: in the words of the correct journal. With her tight, black, bright hair, her arched brows, her dusky–ruddy face and her bare shoulders; her strange equanimity, her long, slow, slanting looks; she looked foreign and frightening, clear as a cameo, but dark, far off. Julia was the English beauty, in a lovely blue dress. Her hair was becomingly untidy on her low brow, her dark blue eyes wandered and got excited, her nervous mouth twitched. Her high–pitched, sing– song voice and her hurried laugh could be heard in the theatre. She twisted a beautiful little fan that a dead artist had given her.

Not being fashionable, they were in the box when the overture began. The opera was Verdi—Aida. If it is impossible to be in an important box at the opera without experiencing the strange intoxication of social pre–eminence, it is just as impossible to be be there without some feeling of horror at the sight the stage presents.

Josephine leaned her elbow and looked down: she knew how arresting that proud, rather stiff bend of her head was. She had some aboriginal American in her blood. But as she looked, she pursed her mouth. The artist in her forgot everything, she was filled with disgust. The sham Egypt of Aida hid from her nothing of its shame. The singers were all colour–washed, deliberately colour–washed to a bright orange tint. The men had oblong dabs of black wool under their lower lip; the beard of the mighty Pharaohs. This oblong dab shook and wagged to the singing.

The vulgar bodies of the fleshy women were unendurable. They all looked such good meat. Why were their haunches so prominent? It was a question Josephine could not solve. She scanned their really expensive, brilliant clothing. It was nearly right—nearly splendid. It only lacked that last subtlety which the world always lacks, the last final clinching which puts calm into a sea of fabric, and yet is the opposite pole to machine fixity.

But the leading tenor was the chief pain. He was large, stout, swathed in a cummerbund, and looked like a eunuch. This fattish, emasculated look seems common in stage heroes—even the extremely popular. The tenor sang bravely, his mouth made a large, coffin–shaped, yawning gap in his orange face, his little beard fluttered oddly, like a tail. He turned up his eyes to Josephine’s box as he sang—that being the regulation direction. Meanwhile his abdomen shook as he caught his breath, the flesh of his fat, naked arms swayed.

Josephine looked down with the fixed gravity of a Red Indian, immovable, inscrutable. It was not till the scene was ended that she lifted her head as if breaking a spell, sent the point of her tongue rapidly over her dried lips, and looked round into the box. Her brown eyes expressed shame, fear, and disgust. A curious grimace went over her face—a grimace only to be expressed by the exclamation Merde!But she was mortally afraid of society, and its fixed institutions. Rapidly she scanned the eyes of her friends in the box. She rested on the eyes of Lilly, a dark, ugly man.

It was nearly four o’clock when we at last, after passing through the beautiful Stroud Valley, and over the broad gleaming Severn, found ourselves at the pretty little country-town of Ross. A lean, ferret-like man, furtive and sly-looking, was waiting for us upon the platform. In spite of the light brown dustcoat and leather-leggings which he wore in deference to his rustic surroundings, I had no difficulty in recognizing Lestrade, of Scotland Yard. With him we drove to the Hereford Arms where a room had already been engaged for us.

“I have ordered a carriage,” said Lestrade as we sat over a cup of tea. “I knew your energetic nature, and that you would not be happy until you had been on the scene of the crime.”

“It was very nice and complimentary of you,” Holmes answered. “It is entirely a question of barometric pressure.”

Lestrade looked startled. “I do not quite follow,” he said.

“How is the glass? Twenty-nine, I see. No wind, and not a cloud in the sky. I have a caseful of cigarettes here which need smoking, and the sofa is very much superior to the usual country hotel abomination. I do not think that it is probable that I shall use the carriage to-night.”

Lestrade laughed indulgently. “You have, no doubt, already formed your conclusions from the newspapers,” he said. “The case is as plain as a pikestaff, and the more one goes into it the plainer it becomes. Still, of course, one can’t refuse a lady, and such a very positive one, too. She has heard of you, and would have your opinion, though I repeatedly told her that there was nothing which you could do which I had not already done. Why, bless my soul! here is her carriage at the door.”

He had hardly spoken before there rushed into the room one of the most lovely young women that I have ever seen in my life. Her violet eyes shining, her lips parted, a pink flush upon her cheeks, all thought of her natural reserve lost in her overpowering excitement and concern.

“Oh, Mr. Sherlock Holmes!” she cried, glancing from one to the other of us, and finally, with a woman’s quick intuition, fastening upon my companion, “I am so glad that you have come. I have driven down to tell you so. I know that James didn’t do it. I know it, and I want you to start upon your work knowing it, too. Never let yourself doubt upon that point. We have known each other since we were little children, and I know his faults as no one else does; but he is too tenderhearted to hurt a fly. Such a charge is absurd to anyone who really knows him.”

“I hope we may clear him, Miss Turner,” said Sherlock Holmes. “You may rely upon my doing all that I can.”

“But you have read the evidence. You have formed some conclusion? Do you not see some loophole, some flaw? Do you not yourself think that he is innocent?”

“I think that it is very probable.”

“There, now!” she cried, throwing back her head and looking defiantly at Lestrade. “You hear! He gives me hopes.”